1 - 9 of 9
Number of results to display per page
Search Results
1. ‘My Scrap Book volume V’. Artist: Augustus Fortunatus Bellasis (1822–1872)
- Description:
- Abstract: Genre & Subject MatterAs well as four photographs, stamps, seals, printed documents, handwritten texts, maps and letters, this album contains fifty-one pencil, watercolour or pen and ink drawings; eight created while Augustus Fortunatis Bellasis was Collector and Magistrate at Hyderabad (Sind) in 1855 and the rest while he was on furlough travelling through the Middle East and Europe in 1856. The album also contains eight drawings by unidentified Sind artists. All items have been pasted onto the folios or otherwise inserted into the volume.Most of the drawings, whether complete or sketches, are inscribed with titles and dates. There are a number of blank folios.ElementsNumbers in square brackets refer to an alternative foliation system, which may extend throughout the related Scrapbooks. See ‘Arrangement’.f 4 [244] [Letter] ‘Produced in evidence in a poisoning case’f 5 [245] ‘Shah Maccai & Belooch Parade Ground. Hyd. Sind. 10 June 1855 from Varandah of Collector’s House’f 7 [247] [Letter] ‘From Dr Hartmann the Roman Catholic Bishop of Bombay’ff 8-10 [248, 249, 250] ‘Persian & Sindee Seals &c engraved at Hyderabad in Sind. Mostly by Fuzil Mahomed’f 11 [251] [Stamps of various collectors]f 12 [252] ‘The old seal used at Surat in 1800, when Surat was divided between the British Govt and the Nawabs of Surat. The two towers of the Castle are here represented with the British Flag floating over one and the Nawabs floating over the other.f 14 [254] [Prospectus of the Hydrabad Race Meeting]ff 16-20 [256, 257, 258, 259, 260] ‘Halla Tiles’f 22 [262] ‘The mode of tracing a pattern for an Embroidered Slipper. Hyderabad Sind.’f 23 [263] ‘Persian seal presented to the Emperor of the French at the Paris Exhibition of 186_’f 28 [264] ‘Gateway for the Mahomedan Cemetery at Hyderabad, Sind, designed by a native Artist – & painted in fresco.’f 31 [264 5, 264 6] [Painted design, inset; photograph of design on folio 23] ‘Another design for the same.’f 32 [264 7] [Photograph of design inset in folio 31]f 33v ‘The Verdict or rather Falsehood of the native court martial …’ [refers to folio 34]f 34r, f34v [265] [Written verdict against accused, ‘Mahomed Khan’, 7 August 1853]f 35 [266] [Watercolour drawing: camp near tomb]f 36 [267]‘Chimney at Shahandpoor 2 Nov 1855.’f 38 [269] ‘Old Halla Musjid from the Traveller’s Bungalow – 24 Nov 1855’f 40 [271] ‘Guhote Dund, 25 Nov 1855.’f 42 [273] ‘Sukkur Hills from Ruzee ka Gota 3 Dec 1855’f 43 [274] ‘Shewan from Meerpoor Ferry. Waiting for Jameson – 6 Dec 1855’f 46 [277] ‘Dhera Dulliel Fort 23 Decr 1855. A Mud Fort built by ... to stop the progress of Sir Charles Napier in 1843.’f 48 [278] [Letter dated 27th Dec 1855from Shaik Adnan Mesman[?]]f 50, f 51, f 52 [279 1, 279 2] [Copy of letter dated 30th March 1856 from Lieut. Colonel John Jacob C. B., acting Commissioner in Sind to the Right Honourable Lord Elphinstone G. C. H., Governor and President in Council, Bombay]f 53 [279 2] [Letter from C. Wood to the Governor in Council, Bombay, forwarded 20 May 1861]f 55 [280] [Photograph] ‘Byalla Club and Bombay Race course’f 56 [281] ‘Entrance to the Sea of Suez 30 April 1856.’f 58 [283] ‘Isle of Roda.’ ‘5 May 1856.’f 60 [285] ‘Pigeon Village in Egypt 6. May 1856.’f 63r, f63v [287] ‘4 May 1856. Pyramids of Ghiza.’f 64 [288] ‘Rhodes. 11 May 1856 with Manson. Sunday.’f 65 [Photograph] ‘Sir Bartle Frere. KCB KCSS Governor of Bombay’ ‘6 July 1864’f 66 [289] ‘Rhodes. 11 May 1856.’f 68a, f.68b [290] [Two sketches] ‘Views at Rhodes.’f 69 [291] ‘Rhodes’f 71 [293] ‘Entrance to Smyrna 12 May 1856’f 73 [295] ‘Entrance to Bay of Smyrna’ ‘12 May 1856’f 74 [296] ‘Smyrna 13 May 1856’f 75 [297] ‘Solitary Cyprus amid Grave Stones. Smyrna 13 May 1856.’f 76 [298] ‘Zenzdos 14 May 1856’f 78 [300] ‘Hector’s Tomb’ ‘Plains of Troy’ ‘In Sila Ajax’ Tomb’f 79 [301] ‘Two pretty Turkish Ladies on board the Steamer going to Constantinople in charge of their Eunuch 1856.’f 81 [302] [Joke] ‘What is the moral difference betw.: Cake & wine? / One is sometimes tipsy & the other is always drunk.’f 82 [303] ‘Fort of Asia’ ‘Dardanelles’ ‘Fort of Europe’ ‘May 1856.’f 83 Johnstone’s Sketch Map of the Country between Sevastopol and Balaklava Showing the Positions of the Russian Forts And of theBesieging Forces of the Allied Army November 1854’f 84 ‘Seat of the Russo Turkish Campaigns in European Turkey in 1828 . 1829.’f 88 [308] ‘22 May 1856 Entrance to Sebastapol Harbr’f 88v [308] ‘Phoras Pass 28 May 1856’f 89 [303 2] ‘Street in Rannesh[?] Crimea May 1856’f 92r [310 1] ‘The Alma 29 May 1856’f 92v [Untitled sketch of urban scene with minaret or tower]f 93 [310 2] ‘Chouphut Rali 30 May 1856’f 95 [312] ‘Balaklava Harbour. from the Buffalo Steamer 3 June. 1856.’f 97 [314] ‘Shumla 8 June 1855’f 97v ‘Adam ka Sanda. 4 Novr 1853[?]’f 100 [316] ‘Belgrade 17 June 1856’f 102r ‘Aden 11. June going out of Harbour’f 102v [317 1] ‘Trajan’s Bridge on the Danube. 16 June 1856’f 102r ‘Orsova. 16 June 1856’f 102v [Two untitled river scenes] ‘103’f 103 [317 2] ‘Approach to the Iron Gates. 16 June 1856.’f 103v ‘Town on the Danube 23 June 1856’f 104 [318] ‘Boats on the Danube. 1856.’ [Two sketches]f 104va [Untitled sketch, probably town on the Danube] ‘23 June 1856’ ‘107’f 104vb [Untitled sketch, probably town on the Danube] ‘23 June 1856’ ‘108’f 105 [319] ‘Benedictine Convent of Gottweib – on the Danube – 28 June 1856’f 106 [320] ‘Saltzburg Castle 26 June 1856.’f 107 [321 1] ‘Aggstein Castle & Town 23 June 1856.’f 110 [322] ‘Church near Aggstein on the Danube 23 June 1856’f 111 [323, 324] ‘Der Strudel’ ‘Der Wirbel’ [Two etchings]f 112 [325] [Etching of Greinburg Castle overlooking the Danube at Grein] ‘Grein’f 113 [326, 327] ‘Linz’, ‘Der Landungsplatz in Linz’ [Two etchings]f 114 [328, 329] ‘Der Brobebefestigungsthurm in Linz’, ‘Gmunden vom See’ [Two etchings]f 115 [330, 331] ‘Gmunden v. Kalvarienberg’, ‘St. Wolfgang’ [Two etchings]f 116 [332, 333] ‘St. Wolfgang’,‘Hallstadt’ [Two etchings]f 117 [334, 335] ‘Traunkirchen am Traunsee’, ‘Der Traunfall’ [Two etchings]f 118 ‘Der Schwarzbachfall bei Golling’, ‘Der Vordere Gossausee’[Two etchings]f 119 [338, 339] ‘St Gilgen am Wolfgangsee’, ‘Hotel Tallachini in Ischl’ [Two etchings]f 120 [340, 341] ‘Das Badhaus in Ischl’, ‘Schloss Leopoldskrone bei Salzburg’ [Two etchings]f 121 [342, 343] ‘Salzburg vom Mönchsberge’, ‘Residenzplatz [Salzburg]’ [Two etchings]f 122 [344, 345] ‘Mozart Platz [Salzburg]’, ‘Das Neu- Oder Sigmund-Thor [Salzburg]’ [Two etchings]f 123 [346] ‘Salzburg von Kapuzinerberge’ ‘Eigenthum Vérlag v. G. Baldi in Salzburg’ [Etching]f 124 [347, 348] ‘Plan von München’, ‘Route von Ulm nach München’ [Route maps]f 125 [349] ‘Mey & Widmayer München von der Nordseite’ [Etching]f 126 [350] ‘Mey & Widmayer Königl. Residenz gegen den Hofgarten in München’ [Etching]f 127 [351] ‘Mey & Widmayer Ludwigs Kirche und Bibliothek in München’ [Etching]f 128 [352] ‘Mey & Widmayer Neue Pinakothek in München’ [Etching]f 129 [353] ‘Mey & Widmayer Pinakothek in München’ [Etching]f 130 [354] ‘Mey & Widmayer Bahnhof in München’ [Etching]Temporal ContextAlthough one letter is dated 1861, the majority of the items in this scrapbook relate to the period 1855–56.Physical description: Dimensions:Album: 340 x 230 mm [portrait]Format:Half-bound leather and marbled paper album 135 folios, onto/into which 111 items are pasted or otherwise inserted.Condition:Binding is broken lengthwise and there is extensive scuffing evident. The marbled paper is faded, with extensive surface loss on both covers.Foliation:The album has been foliated with two systems: the primary system (1–135) is usually noted in the right hand corner recto fo each folio. The secondary system (244–354) is indicated on the recto of the inserts themselves, in pencil, usually across the upper edge; this system does not include every item. It is indicated on the lower left corner of the fly leaf that the album was foliated on the 17/4/63.Binding:The album is bound in half leather format, which is heavily scuffed along the stitched spine. The spine is broken. This binding is original and has been personalised by gilt title information along the spine: ‘My Scrap Book.’ ‘Volume V. 1855. .1856’ ‘A.F. Bellasis’. A Shelfmark indicator, also gilt, has presumably been added later: ‘MSS. EUR. G45 10’
2. ‘My Scrap Book volume III’ Artist: Augustus Fortunatus Bellasis (1822–1872)
- Description:
- Abstract: Genre & Subject MatterAs well as photographs, a map, an engraving, lithographs, etchings, printed matter and handwritten documents, this album contains sixty-eight pencil, watercolour or pen-and-ink drawings. Twenty-eight drawings (including those from folios 23–73) were made while on leave from November 1850 to June 1852; forty drawings (including those from folios 74–129) were made in Karachi (Sind) and during a cold weather tour, December 1852 to March 1853, with Bartle Frere, Commissioner of the newly-acquired province of Sind.All items have been pasted onto the folios or otherwise inserted into the volume and are inscribed with notes by Augustus F. Bellasis.Most of the drawings, whether complete or sketches, are inscribed with titles and dates. There are a number of blank folios.ElementsNumbers in square brackets refer to an alternative foliation system, which may extend throughout the related Scrapbooks. See ‘Arrangement’.f 1 [Photograph] ‘The tomb of Henry Adrian Baron von Reede, in the Dutch Cemetery at Surat. A.D. 1691.’ ‘59’f 2 ‘Pamphlet on Tombs at Surat’ [missing]f 3 [Photograph] ‘The tomb of Sir George Oxenden Bt President of Surat & the 1st Governor of Bombay. ob: 1669.’f 4 [Photograph] ‘Tomb of Christopher Oxenden A.D. 1659 & of his brother Sir George A.D. 1669 Oxenden. The 1st Governor of Bombay’ ‘Tomb of Gerald Aungier’ff 6–7 [123 2] [Transcribed letters and accounts dating 1851–1854]ff 9–20 [123 1] [‘Report on the Southern Districts of the Surat Collectorate by A. F. Bellasis, Esq., First Assistant Collector, 15th October 1850 (Printed: 1854)]f 23 [126] ‘Bombay. From Byculla Club’, showing position of Randal Lodge, Henry Fawcett’s house and Mrs. Lestock Reid’s house (Henry Fawcett was a cousin of Augustus Bellasis).f 25 [128] [Unidentified landscape]f 26 ‘Straits of Babelmandel. 12 Novr 1850.’f 27 [130] [Unidentified maritime scene, probably in Red Sea]f 28 [131] ‘Chota Aden 11 Nov 1850’f 30 [133] ‘Isabera Islands – Red Sea – 13 Novr 1850’f 32 [135] ‘Jibel Jan – 13 Novr 1850.’f 34 [137] ‘Jibel el Teer – Red Sea. 13 Novr 1850’f 36 [139] ‘Approaching St John’s Isld 16 Novr 1850’f 37 [140] ‘16 Novr 1850. St John’s Isld.’f 39 [142] ‘Abushaha Range. Entrance to the Sea of Suez – 18 Nov 1850.’f 41 [144] ‘Boats on the Nile. 1850’f 42 [145] ‘Pyramids from the Nile distant ab 15 miles 21 Novr 1850’f 43 [146] [Sketch of boat, likely Egyptian, with 3 miniscule outlines of sail plans] ‘A. F. Bellasis.’f 45 [148] ‘Quarantine Harbr. Malta. Dec – 1850.’f 46 [149] ‘St of Messina after leaving Messina 13 Decr 1850’f 47 [150] ‘Stromboli 8 miles W. 13 Decr 1850’f 48 [151] ‘Stromboli 15 miles S.E. 13 Decr 1850’f 50 [153] ‘Rome from my bedroom window 16 Jany 1851.’f 52 [155] ‘Pio IX P.M.’ [Engraving of Pope Pius IX]f 53 [155 2] ‘Fac-simile of a curious Pen Drawing executed in a single oval line, By Overlaet of Antwerp’ [Lithograph: lithographer: A. Butler; printers: M. and N. Hanhart]f 54 [156 1] a ‘The Capitol [Rome]’; b ‘St. Mary Major [Rome]’ [Two etchings]f 55 [156 2] a ‘St Peters, the Vatican and Piazza’; b ‘Colosseum’ [Two etchings]f 56 [156 3] a ‘Fountain of Trevi’; b ‘Arch of Constantine’ [Two etchings]f 57 [156 4] ‘The Pantheon’ [Etching]f 59 [158] ‘Byland Abbey. 12 August 1851.’f 60 [159] ‘Rievaulx Abbey’ [Lithograph; delineated and lithographed by W. Monkhouse]f 61 [160] ‘Glen Moriston – Sep. 1851’ ‘Glen Moriston – the seat of James Murray Grant, Esq., Invernessshire.’f 62 [161] ‘Glenmoriston – the seat of James Murray Grant, Esq.’f 63 [162] ‘Loch Ness opposite to Glen-moriston. Oct 1851.’f 65 [164] ‘Loch Ness from the Horse Shoe looking towards Fort Augustus. Sept. 1851.’f 66 [165] ‘Glen Urquarth – Loch Ness –’f 68 [167] ‘Head of Windermere from foot of Curwen’s Island. 14 Oct 1851. Fish won’t bite.’f 72 [171] ‘Corfu. 29 May 52’f 73 [172] ‘Madon. a Greek Fort on the W. coast of the Morea. 30 May 1852.’f 74 [173] ‘Entrance to Kurachee 1852’f 75 [174 1] ‘Manora from Clifton 22 May 1852’f 76, f 77 [174 2] ‘Clifton from Manora 1 June 1852.’ and ‘Banks of the Nile 19 Nov 1857’f 78 [175] [Map of part of Karachi, including Keamaree (Kiamari) and Clifton]f 80 Inscription reading: ‘Sketches taken during the cold season of 1852/53 while on an official tour of inspection through the Province of Sind with Mr H. B. E Frere – the Commissioner in Sind.’f 81 [176]‘Great Burr Tree – Gooza. 31 Dec 1852’f 82 [177] ‘Burr Tree near Gooja 13 Nov 1852’f 84 [179] ‘Extract from the Book kept at the Izandier Bungalow at Ghurra in Lower Sind’; [Letter from Lawrence Hammend to Belasis, 31 October 1854]f 87 [181] ‘Niggin Jatta. 2 Jany 1853’ [Sketch of camp with camels]f 88 [182] ‘Hyderabad from Meanee 13 Jany 1853’f 90 [184] ‘21 Jany 1853 – Camp Futt – Sukkee Hills in distance’f 91 [185] [Camp in western India with city on hilltop]f 93 [187] ‘Farooshah. Lieut. Jameson’s Head Quarters 1853.’f 94 [189] ‘Burr Tree, Nowshera – 9 Feby 1853’f 96 [190] [Sketch of the head of a man]; ‘Nawab Ali Fauzdarof Shikarpoor, Feby 1853’; ‘Back view of Nawab Ali on his Mule.’; ‘Shikarpoor Bazaar. 10 Feby 1853.’f 98 [192] ‘Jacobadad February 1853.’f 100 [194] ‘Boats on the Indus – 1853’f 102r [196] ‘Loong Khan Jakranee 27 Feby 1853’f 102v [Sketch of unidentified woodland scene with structure]; [Sketch of head and shoulders of unidentified man]; ‘2 May 1853 Near Nuygen[?] Pier.f 106 [199] ‘Banks of the Sindh. 23 Feby 1853.’f 108 [201] ‘Island below Sukkan 1853’f 110 [202 1] ‘Sukkee. 18 March 1853’f 111 [203 1] ‘Kwaja Khoja – The Fisherman’s Mosque’f 112 [203 2] ‘Bukkur Fort 16 March 1853.’f 113 [204] ‘Kwaja Khoja. the Fisherman’s Mosque.’f 115 [206 1] ‘Sukkur’ ‘Bukkur Fort’ ‘Roree 14 March 1853’f 116 ‘Suez. 21 Nov 1857.’f 116v ‘Bukkur 15 March 1853’’f 117 [206 2] ‘Minaret – Sukkur. 15 March 1853.’f 118 [207] ‘Sukkee Hills. 18 March 1853.’f 120 [209 1] ‘The Indus. 19 March 1853.’f 121 [209 2] ‘Veron Bezla 22 March 1853’f 123 [211 1] ‘Hell’s Gate. 23 March 1853’f 124 [211 2] [Unidentified landscape with fisherman swimming on pots] ‘23 March 1853’f 126 [213] ‘Banks of the Indus in the Delta. 23 March 1853.’f 128 [215 1] ‘Ruins of Buddeen 1853’f 129 [215 2] ‘Ruins of Buddeen 1853’f 130 [216] [Handwritten notes] ‘Bacon says. “Reading maketh a full man – conference a ready man, & writing an exact man. / The Arabs have a proverb that those who dabble deep in manuscript, are like donkeys laden with many books. / “I’ve seen much finer women, ripe & real than all the nonsense, of their stone idial [sic]” Byron 2/4/57’ff 131–132 [217, 218] ‘The thirteen fundamental Articles of Faith – which every Jew ought firmly to believe & rehearse daily –‘f 134–137 [219, 220, 221, 222] [Handwritten notes] ‘Architecture in England’Physical description: Dimensions:Album: 340 x 230 mm [portrait]Format:Half-bound leather and marbled paper album 135 folios, onto/into which 111 items are pasted or otherwise inserted.Condition:Binding is broken lengthwise and there is extensive scuffing evident. The marbled paper is faded, with extensive surface loss on both covers.Foliation:The album has been foliated with two systems: the primary system (1–135) is usually noted in the right hand corner recto of each folio. The secondary system (123–222) is indicated on the recto of the inserts themselves, in pencil, usually across the upper edge; this system does not include every item.Binding:The album is bound in half leather format, which is heavily scuffed along the stitched spine. The spine is broken and covers detached. This binding is original and has been personalised by gilt title information along the spine: ‘My Scrap Book.’ ‘Vol. III. 1850. .1853’ ‘A.F. Bellasis’.
3. ‘Jibel el Teer – Red Sea. 13 Novr 1850’
- Description:
- Abstract: Genre/Subject MatterPencil sketch on paper.The sketch shows a maritime / topographical view of Jibel el Teer (Jabal al-Tair Island), a roughly oval-shaped volcanic island northwest of the Bab el-Mandab strait in the Red Sea.Two raised peaks are illustrated at the centre of the island, while the right of the island a curved cliff face appears to drop towards the sea.InscriptionsRecto, in pencil:Right edge: ‘137’Upper right corner: ‘Jibel el Teer – Red Sea. 13 Novr 1850’ ‘Lat: 15º 32’ N. Long: 41º55’ E.’Upper centre: ‘extinct Volcano’Temporal contextThis sketch is part of a series of six drawings over consecutive days, 11–13 November 1850, during the journey between Aden and the Red Sea.Physical description: Dimensions:165 x 280 mm [landscape]Format:Pencil sketch on paper, pasted into volumeCondition:The sketch is in good condition with surface residue throughout.Foliation:On paper: ‘137’On mounting paper ‘34’
4. ‘Jibel Jan – 13 Novr 1850.’
- Description:
- Abstract: Genre/Subject MatterPencil sketch on paper.The sketch shows a maritime / topographical view of Jibel Jan, which is likely to refer to Djebel Jan on the coast of latter-day Djibouti.The view was sketched from on board ship and shows a series of flat-topped islands leading away from the coastline on the right of the horizon.InscriptionsRecto, in pencil:Right edge: ‘135’Lower left corner: ‘Jibel Jan – 13 Novr 1850.’Temporal contextThis sketch is part of a series of six drawings over consecutive days, 11–13 November 1850, during the journey between Aden and the Red Sea.Physical description: Dimensions:162 x 270 mm [landscape]Format:Pencil sketch on paper, pasted into volumeCondition:The sketch is in good condition with scuffing in the upper right as well as some dark spot staining throughout and a purple stain in the lower left corner.Foliation:On paper: ‘135’On mounting paper ‘32’
5. ‘Isabera Islands – Red Sea – 13 Novr 1850’
- Description:
- Abstract: Genre/Subject MatterPencil sketch on paper.The sketch shows two, presumably sequential, maritime / topographical views of a series of small islands in the Red Sea.The view was sketched from on board ship and shows eight or nine rocky islands. In the upper view, the sun can be seen going down or coming up behind the largest island. The island on the far left of the upper view may be identical with that on the far right of the lower view. Illegible inscriptions alongside each of these islands may be intended to indicate as such.InscriptionsRecto, in pencil:Right edge: ‘133’Lower left corner: ‘Isabera Islands – Red Sea – 13 Novr 1850’Temporal contextThis sketch is part of a series of six drawings over consecutive days, 11–13 November 1850, during the journey between Aden and the Red Sea.Physical description: Dimensions:162 x 280 mm [landscape]Format:Pencil sketch on paper, pasted into volumeCondition:The sketch is in good condition with only minor surface residue throughout and a number of small dark stains dotted across centre and lower left of the image.Foliation:On paper: ‘133’On mounting paper ‘30’
6. ‘Chota Aden 11 Novr 1850’
- Description:
- Abstract: Genre/Subject MatterPencil sketch on paper.The sketch shows a maritime/topographical view of a coastal region near or at the British Settlement at Aden in present-day Yemen.The view was sketched from on board ship and shows one dhow and seven other craft; one of the vessels in the foreground is a five-oared boat, with tiny pencil marks denoting figures on board. Along the horizon from the right to the left of the image jagged peaks give way to flatter-topped ranges extending down and out to the sea.InscriptionsRecto, in pencil:Right edge, 30mm from upper: ‘131’Lower left corner: ‘Chota Aden 11 Novr 1850’Temporal contextThis sketch is part of a series of six drawings made over consecutive days, 11–13 November 1850, during the journey between Aden and the Red Sea.Physical description: Dimensions:162 x 270 mm [landscape]Format:Pencil sketch on paper, pasted into volumeCondition:The sketch is in good condition with only minor surface residue throughout. One very light area of spot foxing appears along the left edge.Foliation:On paper: ‘131’On mounting paper ‘28’
7. ‘Aden 11. June going out of Harbour’ and ‘Trajan’s Bridge on the Danube. 16 June 1856’. Artist: Augustus Fortunatus Bellasis
- Description:
- Abstract: Genre/Subject matterTwo pencil sketches on paper.The sketch on recto, sketched from on board ship, shows a landscape scene looking inland from the harbour at Aden. The range of hills or mountains in the background probably indicate Jebel Shamsan, or the Shamsan Range, often referred to as ‘Shum Shum’ or ‘Sham Sham’. A number of buildings have been indicated along the shoreline.The sketch on verso depicts a scene on the Danube, looking out across the river from an elevated position. A steamer can be seen in the lower centre foreground. Low hills can be seen in the background.The title indicates that the sketch was made at the site of Trajan’s Bridge, a Roman segmental arch bridge, constructed in 103–5 AD, that spanned the lower Danube between the shores of modern-day Romania and Serbia. Although the bridge was dismantled within two centuries of its construction, the entrance pillars on either shoreline were still visible and are indicated here along the left hand edge and immediately right of the centre of the image.InscriptionsRecto, in pencil:Upper right corner: ‘Aden 11. June going out of Harbour’Lower left corner: ‘101’Verso, in pencil:Upper right corner: ‘Trajan’s Bridge on the Danube. 16 June 1856’Upper centre: ‘317 1’Physical description: Dimensions:Album: 114 x 175 mm [landscape]Format:Two pencil sketches on paperCondition:There is extensive foxing on the left hand side of the image on recto as well as spot foxing throughout. On verso surface residue is evident as well as low-level spot-foxing throughout and in the right of the image in particular.Foliation:Recto: ‘101’ [sic]Verso: ‘317 1’
8. ‘Straits of Babelmandel. 12 Novr 1850.’
- Description:
- Abstract: Genre/Subject MatterPencil sketch on paper.The sketch shows three, presumably sequential, topographical views of the coastal region at the Bab el-Mandeb strait (12° 34' 34” North, 43° 21' 11” East) between Arabia (Yemen) and Africa (Djibouti and Eritrea). This strait, consisting of a two-mile wide eastern channel and a sixteen-mile wide western channel separated by Perim Island, connects the Red Sea with the Gulf of Aden and the Indian Ocean.The views were sketched from on board ship. The central sketch shows the profile of Perim Island, while the upper sketch appears to show a flare or beacon of some kind, with thick smoke billowing from its peak. This object is inscribed ‘Shrinka’. A number of other inscriptions, some of which are illegible appear to denote certain parts of the evidently rocky strait.InscriptionsRecto, in pencil:Upper centre: ‘Shrinka’Left edge: ‘2nd’, ‘3rd’Centre: ‘W’Right edge: ‘129’45 mm from right, 70 mm from upper: ‘Perim Island’30 mm from left, 35 mm from lower: ‘1st’Lower left corner: ‘Straits of Babelmandel. 12 Novr 1850.’Temporal contextThis sketch is part of a series of six drawings over consecutive days, 11–13 November 1850, during the journey between Aden and the Red Sea.Physical description: Dimensions:160 x 278 mm [landscape]Format:Pencil sketch on paper, pasted into volumeCondition:The sketch is in good condition with only minor surface residue throughout as well as one small area of staining on the lower edge, likely from the adhesive.Foliation:On paper: ‘129’On mounting paper ‘26’
9. [Unidentified maritime scene, probably in Red Sea]
- Description:
- Abstract: Genre/Subject MatterPencil sketch on paper.The sketch shows a maritime / topographical view of a coastal region, presumably along the Red Sea or Arabian coastline.The view was sketched from on board ship and shows two dhows and one smaller craft sailing from right to left across the scene. In the background a coastal hill is in shadow while further hills in the distant background are briefly indicated.InscriptionsRecto, in pencil:Right edge: ‘130’Temporal contextThis sketch is part of a series of six drawings over consecutive days, 11–13 November 1850, during the journey between Aden and the Red Sea.Physical description: Dimensions:165 x 271 mm [landscape]Format:Pencil sketch on paper, pasted into volumeCondition:The sketch is in good condition with only minor surface residue throughout. Several areas of spot foxing appears along the left edge, while one area of spot foxing is apparent near the right edge.Foliation:On paper: ‘130’On mounting paper ‘27’